We'll Be Together Again

Words & Music by Frankie Laine & Carl Fischer, 1945
Recorded by Frankie Laine, 194


E7/6  A    F7  Fdim  E7
No   tears,     no fears -- 

     A     A9   A     F#m7            B7
Re - mem - ber there's al - ways to - mor - row.

   Gm7        C7      FM7
So what if we have to part? 

Bm7-5          F            E7
We'll be to - geth - er a - gain.


E7/6  A    F7  Fdim  E7
Your kiss,     your smile 

     A     A9   A    F#m7              B7
Are mem' - ries I'll trea - sure for - ev - er;

   Gm7              C7       FM7
So try think - ing with your heart - 

Bm7-5          E7      Em7-5  A
We'll be to - geth - er a - gain.


Bridge:

      A7           F7        Em7-5  E7   Fdim Am          Am+7
Now, there'll be times when I know you'll be lone - some, 

F7    Em7-5  E7  Fdim        Am
Times when I know you'll be sad,

F7    Em7-5      E7  Fdim         Am        Am+7    
Don't let temp - ta - tion sur - round you, 

Bm7-5          F7            E7
Don't let the blues make you bad.


E7/6  A    F7  Fdim  E7
Some - day,     some - way, 

     A   A9  A  F#m7            B7
We both have a life - time be - fore us

     Gm7          C7       FM7
For part - ing is not good-bye - -

Bm7-5        Em7-5     E7    A
We'll be to - geth - er a - gain.


This one qualifies as just a bit of an anomoly, at least for its time. When Laine recorded this back in the '40s, there was a fairly clear line drawn in the sand between writer and performer. While vocalists who also played instruments were often allowed to cross (Hoagy Carmichael, for example) not many singers did. Laine is so well-remembered as a vocalist that I never knew he had ever written anything until I found this one. Thanks to recent visitor Joe Korfhage for the suggestion.


 
The lyric and guitar chord transcriptions on this site are the work of The Guitarguy and are intended for private study, research, or educational purposes only. Individual transcriptions are inspired by and and based upon the recorded versions cited, but are not necessarily exact replications of those recorded versions.